{"id":4143,"date":"2026-06-29T11:23:04","date_gmt":"2026-06-29T09:23:04","guid":{"rendered":"https:\/\/sarajevofest.com\/events\/elektra\/"},"modified":"2026-07-02T15:59:47","modified_gmt":"2026-07-02T13:59:47","slug":"elektra","status":"publish","type":"event","link":"https:\/\/sarajevofest.com\/en\/events\/elektra\/","title":{"rendered":"ELECTRA"},"content":{"rendered":"

Sophocles\u2019 Electra, directed by Dimitris Tarlow, following its highly successful presentation at the ancient theatre of Epidaurus and throughout Greece and Cyprus, is being reapproached for the indoor theatre and will be staged at the POREIA Theatre with the unique Loukia Michalopoulou in the title role and accompanied by a renewed cast.<\/p>\n

The challenges and possibilities of tragedy in indoor theatre constitute the field of research and, at the same time, the proposal of the Poreia Theatre and its artistic director Dimitris Tarlow for the winter season, using a play that has become terribly relevant in a world plagued by totalitarianism and social injustice, at a time when violence and revenge are often portrayed as \u201cnecessary evil.\u201d Far from being merely a tale of vengeance, this tragedy becomes a mirror that reflects human dilemmas, of the eternal conflict between justice and morality.<\/p>\n

By removing the \u201csafe\u201d distance imposed by large outdoor theatres and the temporary summer slump, the performance invites the audience to confront critical questions: What does it mean to \u201crestore justice\u201d? What is the duty of responsibility? Can one live with the consequences of violence? Is violence an inevitable solution? Will revenge end the cycle of bloodshed? Is redemption ever truly possible? And, ultimately, what is the meaning of resistance when all seems lost?<\/p>\n

Electra, a member of the cursed House of Atreus, a woman trapped in this cycle of blood and horror, is more than just a tragic figure, as she embodies the dilemma between the need for justice and the moral imperative to avoid violence. Therefore, she is not merely a tragic creature of fate, but a creation of her own volition, a character wholeheartedly devoted to the cause of justice. Is she a victim of her obsession with revenge or a voice of resistance against the brutality of power? And why, when the palace is finally freed from its tyrants, does she not step inside? Does she simply remain outside the House she hates so much, or does she refuse to become part of the system she fought so vehemently against? Is she still a captive of the extreme emotions that defined her\u2014the grief for her father\u2019s death, the hatred towards her mother, the longing for her lost brother? One thing is certain: her passion does not subside even after the much-sought catharsis is accomplished.<\/p>\n

In\u00a0Electra<\/em>, the poet cater to answers, the gods are absent, the oracles merely coincide with the human decisions, conscience plays a second role, the Furies are yet to appear. Nevertheless, the price for the survivors is heavy. This price of choice and the human need for catharsis at any cost invites us to reflect on Sophocles\u2019 Electra. After all, Sophocles will not grace us with a sequel, he will not write a trilogy: his work ends here \u2013 within these 1,510 verses of admirable symmetry and simplicity, each of the doubts and questions he has raised will find their resolution.<\/p>\n\n

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